1 00:00:32,800 --> 00:00:33,940 MORNING, DIANE. 2 00:00:33,970 --> 00:00:35,500 GLAD YOU CAME. 3 00:00:38,340 --> 00:00:40,740 I, UH, I REMEMBERED YOU LIKED THIS YOGURT. 4 00:00:40,780 --> 00:00:41,840 OH, THANKS. 5 00:00:43,620 --> 00:00:44,560 HOW’S BOBBY? 6 00:00:44,580 --> 00:00:46,550 THE DOCTOR’S LOOKING AT HIM NOW. 7 00:00:46,590 --> 00:00:48,130 THE NURSES SAID HE SEEMED TO SPEND 8 00:00:48,150 --> 00:00:50,120 A FAIRLY COMFORTABLE NIGHT. 9 00:00:50,150 --> 00:00:51,250 GOOD. YEAH. 10 00:00:51,290 --> 00:00:52,650 I GOT HERE AT 7:00. 11 00:00:52,690 --> 00:00:54,090 HE SEEMS FAIRLY COMFORTABLE. 12 00:00:54,130 --> 00:00:55,170 OK. 13 00:00:56,460 --> 00:00:57,860 OK, YOU CAN LIE BACK NOW. 14 00:01:00,800 --> 00:01:02,160 IT SOUND BETTER? 15 00:01:02,200 --> 00:01:05,300 I’D HOPED IT’D SOUND BETTER THAN IT DOES. 16 00:01:05,340 --> 00:01:07,750 NOW, YOU SAY YOU ARE BREATHING MORE COMFORTABLY? 17 00:01:07,770 --> 00:01:10,110 YEAH, I THINK I MIGHT BE. 18 00:01:10,140 --> 00:01:13,170 I KNOW YOU WANT TO KEEP A POSITIVE OUTLOOK, BOBBY, 19 00:01:13,210 --> 00:01:15,310 BUT I NEED TO KNOW HOW YOU’RE FEELING. 20 00:01:15,350 --> 00:01:16,990 NOW, BEING CANDID, WOULD YOU SAY 21 00:01:17,020 --> 00:01:19,360 YOUR BREATHING MIGHT ACTUALLY BE A LITTLE WORSE? 22 00:01:19,380 --> 00:01:21,850 YEAH, I THINK MAYBE A LITTLE WORSE. 23 00:01:27,290 --> 00:01:30,090 LET’S GET ANOTHER ECHO ON DETECTIVE SIMONE. 24 00:01:30,130 --> 00:01:31,090 EXCUSE ME. 25 00:01:31,130 --> 00:01:32,060 SURE. 26 00:01:34,570 --> 00:01:36,270 DOES BOBBY’S CHEST SOUND BETTER? 27 00:01:36,300 --> 00:01:37,930 FRANKLY, I’D HOPED HE’D BE DOING BETTER 28 00:01:37,970 --> 00:01:40,200 THAN WHAT I’M HEARING THIS MORNING. 29 00:01:40,240 --> 00:01:41,370 I’D LIKE TO REPEAT THE ECHO STUDY 30 00:01:41,410 --> 00:01:42,710 WE DID ON YOUR HUSBAND YESTERDAY, 31 00:01:42,740 --> 00:01:44,870 GET A COMPARISON, SEE WHAT’S GOING ON IN THERE. 32 00:01:44,910 --> 00:01:46,170 Diane: OK. 33 00:01:46,210 --> 00:01:47,540 IT’LL JUST BE A FEW MINUTES. 34 00:01:47,580 --> 00:01:48,840 NO. I‐‐I REMEMBER. 35 00:01:57,020 --> 00:02:00,720 THEY, UM, THEY WANT TO DO ONE OF THE TESTS OVER AGAIN. 36 00:02:03,090 --> 00:02:04,560 THEY DO THAT RIGHT IN THE ROOM? 37 00:02:04,600 --> 00:02:06,810 YEAH. IT DOESN’T TAKE VERY LONG. 38 00:02:06,830 --> 00:02:10,230 THE DOCTOR HOPED BOBBY’S CHEST WOULD HAVE BEEN SOUNDING BETTER. 39 00:02:19,080 --> 00:02:21,250 SLIMY STUFF. 40 00:02:21,280 --> 00:02:24,880 YEAH, WELL, THAT’S NOT A FEELING THAT SLIPS YOUR MIND. 41 00:02:25,920 --> 00:02:27,530 HOW’S SHE DOING? 42 00:02:27,550 --> 00:02:29,080 SHE’S GOT A GIRLFRIEND OUT THERE WITH HER. 43 00:02:29,120 --> 00:02:32,020 OH. BLONDE? GOOD SHAPE? 44 00:02:32,060 --> 00:02:33,360 THAT’S THE ONE. 45 00:02:33,390 --> 00:02:35,490 IF SHE’S DOING A 4:00‐TO‐12:00, 46 00:02:35,530 --> 00:02:37,440 COULD YOU ASK HER TO STICK AWHILE WITH DIANE? 47 00:02:37,460 --> 00:02:39,760 GLAD FOR THE OPPORTUNITY TO CONVERSE. 48 00:02:43,700 --> 00:02:44,930 HER NAME IS JILL. 49 00:02:44,970 --> 00:02:46,770 OK. LIE STILL FOR ME. 50 00:02:46,810 --> 00:02:47,980 SURE. 51 00:02:54,580 --> 00:02:57,210 WE’VE TREATED YOU AGGRESSIVELY TO GET YOUR HEART FUNCTION STABILIZED, 52 00:02:57,250 --> 00:03:00,050 AND NOW YOU’VE GOT MORE MITRAL REGURGITATION THAN YOU DID YESTERDAY. 53 00:03:00,080 --> 00:03:01,520 ENGLISH, DOC, ENGLISH. 54 00:03:01,550 --> 00:03:04,390 I THINK WE NEED TO GO AHEAD AND DO THE ANGIOGRAM I TALKED ABOUT. 55 00:03:04,420 --> 00:03:06,690 I THOUGHT YOU SAID THAT WOULD BE, LIKE, IN 3 DAYS. 56 00:03:06,730 --> 00:03:10,370 NO. I THINK WE NEED TO DO IT NOW. 57 00:03:10,390 --> 00:03:11,930 GOOD. 58 00:05:07,450 --> 00:05:08,920 WHAT’S THAT? 59 00:05:08,950 --> 00:05:11,390 EVIDENTLY, JILL’S NOT COMING IN. 60 00:05:11,420 --> 00:05:13,560 WHEN DID THAT BECOME A 3‐ALARM FIRE? 61 00:05:13,590 --> 00:05:14,690 JILL STOPPED BY THE HOSPITAL. 62 00:05:14,720 --> 00:05:16,480 EVIDENTLY, BOBBY’S NOT DOING THAT GOOD. 63 00:05:16,520 --> 00:05:17,750 MEDAVOY, WHO ARE YOU TALKING TO? 64 00:05:17,790 --> 00:05:18,720 HE’S TALKING WITH THE BOSS. 65 00:05:18,760 --> 00:05:19,700 ALL RIGHT, LIEU. 66 00:05:19,720 --> 00:05:22,060 WHAT’S HE SAY ABOUT SIMONE? 67 00:05:22,090 --> 00:05:24,860 THAT ANGIOGRAM TEST THEY WERE GONNA DO IN A FEW DAYS, 68 00:05:24,900 --> 00:05:27,240 UH, THEY DECIDED BOBBY NEEDED THAT NOW. 69 00:05:27,270 --> 00:05:28,570 ON WHAT BASIS? 70 00:05:28,600 --> 00:05:29,870 I’M NOT SURE, ANDY. 71 00:05:29,900 --> 00:05:31,230 ON SOME EMERGENCY BASIS? 72 00:05:31,270 --> 00:05:32,730 I DON’T KNOW. 73 00:05:32,770 --> 00:05:34,400 ANYWAYS, UH, JILL’S STAYING WITH DIANE. 74 00:05:34,440 --> 00:05:35,540 THAT’S GOOD. 75 00:05:35,570 --> 00:05:36,740 YEAH, KEEP HER COMPANY WHILE SHE WAITS. 76 00:05:36,780 --> 00:05:39,220 YOU KNOW, YOU TWO ARE IDIOTS. 77 00:05:39,240 --> 00:05:40,680 WHAT DOES THAT MEAN, ANDY? 78 00:05:40,710 --> 00:05:42,880 THAT MEANS SIMONE’S GONNA HAVE AN EMERGENCY TEST. 79 00:05:42,910 --> 00:05:45,080 YOU TWO COULD BE AT A HYDROGEN‐BOMB SITE‐‐ 80 00:05:45,120 --> 00:05:46,860 "LOOK AT THE POODLE‐SHAPED CLOUD." 81 00:05:46,890 --> 00:05:48,890 ARE YOU QUARRELING WITH THE IDEA 82 00:05:48,920 --> 00:05:51,050 THAT IF BOBBY’S GOTTA HAVE AN EMERGENCY TEST, 83 00:05:51,090 --> 00:05:54,390 THAT IT’S NICE THAT JILL IS KEEPING DIANE COMPANY? 84 00:05:54,430 --> 00:05:55,870 NO. THAT’S VERY HEARTWARMING. 85 00:05:55,890 --> 00:05:57,290 I’M GONNA SPEND THE REST OF THE DAY THINKING ABOUT IT, 86 00:05:57,330 --> 00:05:58,790 INSTEAD OF WORRYING ABOUT HIM. 87 00:05:58,830 --> 00:05:59,860 YOU GUYS WANNA HEAR ABOUT THIS? 88 00:05:59,900 --> 00:06:01,800 YEAH, BUT FIRST WE WANTED YOU 89 00:06:01,830 --> 00:06:03,400 TO WALK AWAY FROM YOUR CRIME SCENE 90 00:06:03,430 --> 00:06:05,030 AND COME OVER HERE SQUEEZING SHOES. 91 00:06:05,070 --> 00:06:06,430 WHAT DO YOU GOT? 92 00:06:06,470 --> 00:06:09,240 D.O.A.’s IN THERE‐‐ MULTIPLE STAB WOUNDS, NO WITNESSES, 93 00:06:09,270 --> 00:06:11,070 NO WEAPON THAT WE COULD FIND. 94 00:06:11,110 --> 00:06:12,870 OH, THAT’S ALL CRUCIALLY TIMELY INFORMATION. 95 00:06:12,910 --> 00:06:15,480 I CAN SEE WHY THAT WOULD BE SUCH A TEMPTATION 96 00:06:15,510 --> 00:06:17,150 TO COME OVER HERE AND INTERRUPT OUR CONVERSATION. 97 00:06:17,180 --> 00:06:18,580 WHO FOUND HIM? 98 00:06:18,620 --> 00:06:21,090 DOG WALKER. SHE’S OVER THERE. HER DOG FOUND HIM. 99 00:06:21,120 --> 00:06:22,420 SHE SEE ANYBODY AROUND? NO. 100 00:06:22,450 --> 00:06:25,120 AND YOU MIGHT WANT TO TALK TO THE GUY IN THE BLUE JACKET. 101 00:06:25,160 --> 00:06:26,900 HE’S BEEN ASKING A LOT OF QUESTIONS. 102 00:06:26,930 --> 00:06:29,970 YEAH? DON’T TIP HIM OFF THAT WE WANT TO TALK TO HIM, ALL RIGHT? 103 00:06:29,990 --> 00:06:33,490 JUST TURN YOUR BACK, LET HIM WANDER OVER HERE. 104 00:06:33,530 --> 00:06:35,130 HIS PANTS ARE DOWN. 105 00:06:35,170 --> 00:06:37,580 Medavoy: MAYBE HE WAS TAKIN’ A LEAK IN THE BUSHES. 106 00:06:37,600 --> 00:06:39,100 YEAH, THAT WOULD BE THE SOLE PURPOSE 107 00:06:39,140 --> 00:06:41,750 ANYBODY’D TAKE THEIR PANTS DOWN IN THE PARK, MEDAVOY. 108 00:06:41,770 --> 00:06:43,570 GOT DEFENSIVE CUTS ON HIS HANDS. 109 00:06:43,610 --> 00:06:45,510 NO WALLET. 110 00:06:45,540 --> 00:06:48,740 TAKIN’ A LEAK, STABBED, ROBBED. 111 00:06:48,780 --> 00:06:50,780 A COUPLE OF EMPTY BEER BOTTLES HERE. 112 00:06:50,820 --> 00:06:53,930 HE’S GOT A SILK SHIRT ON. HE MUST HAVE GOT LURED OUT HERE. 113 00:06:53,950 --> 00:06:57,320 WHEN YOU’RE WEARIN’ A $100 SHIRT, YOU TAKE YOUR LEAKS IN A BAR. 114 00:06:57,360 --> 00:07:00,670 HERE. LOOKS LIKE SOME KIND OF INVOICE WE GOT HERE. 115 00:07:00,690 --> 00:07:03,760 LOOKS LIKE A GUY NAMED... "TARIK HASSAM." 116 00:07:03,800 --> 00:07:06,100 HE MANAGED AN APPLIANCE STORE ON CANAL STREET. 117 00:07:06,130 --> 00:07:07,130 MOVE YOUR FOOT, GREG. 118 00:07:07,170 --> 00:07:08,410 THE OTHER ONE. 119 00:07:11,240 --> 00:07:12,710 WHAT’S THAT, A BUTTON? 120 00:07:12,740 --> 00:07:14,780 YEAH, IT LOOKS LIKE IT’S OFF OF ONE OF THEM BLUE BLAZERS. 121 00:07:14,810 --> 00:07:17,450 WELL, IT WOULDN’T BE OFF THE D. O. A.’s JACKET. 122 00:07:17,480 --> 00:07:20,720 I NEVER KNEW OF A MUGGER WHO WORE A BLUE BLAZER. 123 00:07:20,750 --> 00:07:22,450 HEY, WHAT DID YOU FIND IN THERE? 124 00:07:22,480 --> 00:07:24,310 A DEAD GUY. YOU KNOW ANYTHING ABOUT IT? 125 00:07:24,350 --> 00:07:25,980 NAW, NOTHIN’. 126 00:07:26,020 --> 00:07:27,530 WHAT’S YOUR NAME? JIM. 127 00:07:27,550 --> 00:07:29,650 YOU SEE ANYTHING SUSPICIOUS HERE, JIM, 128 00:07:29,690 --> 00:07:31,690 LAST NIGHT, MAYBE EARLY THIS MORNING? 129 00:07:31,720 --> 00:07:33,120 I WASN’T IN HERE. 130 00:07:33,160 --> 00:07:35,200 YOU’RE JUST THE CURIOUS TYPE. 131 00:07:35,230 --> 00:07:39,140 NAH, I’M NOT. I’M JUST WONDERING WHAT THE GUY LOOKS LIKE. 132 00:07:39,160 --> 00:07:40,700 IS HE A DARK GUY? 133 00:07:40,730 --> 00:07:42,200 YEAH. HOW’D YOU KNOW? 134 00:07:42,230 --> 00:07:44,470 I THINK MAYBE I KNOW WHO BROUGHT HIM IN HERE. 135 00:07:44,500 --> 00:07:47,400 I SAW HER WITH THIS DARK GUY WALKIN’ INTO THE PARK ABOUT MIDNIGHT. 136 00:07:47,440 --> 00:07:48,640 WHO’S THAT? 137 00:07:48,670 --> 00:07:50,840 SHE FLOPS WHERE I’M STAYING. THE WILLINGHAM. 138 00:07:50,880 --> 00:07:52,380 WHAT’S HER NAME, JIM? 139 00:07:52,410 --> 00:07:53,640 TRISH McFARLAND. 140 00:07:53,680 --> 00:07:56,480 HOPPED‐UP HALF‐A‐HOOKER WITH RINGS IN HER NOSE. 141 00:07:56,510 --> 00:07:58,680 SHE DOES A STUPID ACT‐‐ LIKE SHE’S JUST OFF THE FARM, 142 00:07:58,720 --> 00:08:00,530 THE BIG BAD CITY’S TOO MUCH FOR HER. 143 00:08:00,550 --> 00:08:02,480 IT SOUNDS LIKE YOU MIGHT HAVE FELL FOR IT. 144 00:08:02,520 --> 00:08:05,350 TRISH McFARLAND. HOTEL WILLINGHAM. 145 00:08:05,390 --> 00:08:07,360 THANKS FOR YOUR HELP, JIM. 146 00:08:07,390 --> 00:08:08,360 HEY. 147 00:08:08,390 --> 00:08:09,360 AT THE RIGHT TIME OF NIGHT, 148 00:08:09,390 --> 00:08:10,890 I’LL FALL FOR ANYTHING, 149 00:08:10,930 --> 00:08:12,790 BUT I DON’T LIKE THE PART WHERE SHE ROBS YOU. 150 00:08:19,800 --> 00:08:21,070 I’M SURE HE’S GONNA BE FINE. 151 00:08:21,110 --> 00:08:23,410 THAT’S ALL I HEARD SYLVIA SAY LAST NIGHT‐‐ 152 00:08:23,440 --> 00:08:25,040 "HE’S GONNA BE FINE." 153 00:08:25,080 --> 00:08:27,450 THINK WE OUGHT TO PICK UP THIS TRISH, ANDY? 154 00:08:27,480 --> 00:08:29,440 YEAH, LET’S PICK HER UP. 155 00:08:50,330 --> 00:08:51,300 Martinez: SIT DOWN. 156 00:08:51,340 --> 00:08:53,280 ROUST ME OUT OF MY ROOM. 157 00:08:53,300 --> 00:08:55,240 HOW DO YOU THINK THAT’S GONNA MAKE ME LOOK AT THE HOTEL? 158 00:08:55,270 --> 00:08:57,440 YEAH, I’LL BET YOU’RE IN REAL GOOD STANDING WITH THE MANAGEMENT, TRISH. 159 00:08:57,480 --> 00:08:59,280 WHAT’S THIS ABOUT? 160 00:08:59,310 --> 00:09:00,440 WHERE WERE YOU LAST NIGHT? 161 00:09:00,480 --> 00:09:03,780 DID YOU GO INTO TOMPKINS SQUARE PARK? 162 00:09:03,820 --> 00:09:05,590 NO. I WASN’T ANYWHERE AROUND THERE. 163 00:09:05,620 --> 00:09:08,430 DO YOU THINK YOU CAN COME IN HERE AND LIE TO US?! 164 00:09:08,450 --> 00:09:10,290 DON’T YOU START TRYING TO INTIMIDATE ME. 165 00:09:10,320 --> 00:09:11,950 WE GOT ABSOLUTELY RELIABLE INFORMATION 166 00:09:11,990 --> 00:09:16,060 YOU WENT IN THE PARK AROUND MIDNIGHT WITH A GUY THAT TURNED UP DEAD. 167 00:09:16,090 --> 00:09:17,760 YOU’RE GONNA BE CHARGED WITH MURDER, 168 00:09:17,800 --> 00:09:19,670 AND THIS IS A DEATH PENALTY CASE. 169 00:09:19,700 --> 00:09:23,460 SO YOU CAN SAY GOOD‐BYE TO YOUR SCUMMY CRACKHEAD LIFE, TRISH, 170 00:09:23,500 --> 00:09:26,330 AND YOUR GOOD STANDING IN THAT HOTEL! 171 00:09:26,370 --> 00:09:28,170 YOU GONNA LET HIM INTIMIDATE ME LIKE THIS? 172 00:09:28,210 --> 00:09:29,580 YOU WANNA HELP YOURSELF, TRISH, 173 00:09:29,610 --> 00:09:30,910 YOU GOTTA TELL US THE TRUTH. 174 00:09:30,940 --> 00:09:35,580 LOOK, I DON’T KNOW WHAT YOUR RELIABLE INFORMATION IS, 175 00:09:35,610 --> 00:09:38,250 BUT I WENT IN THE PARK WITH THAT GUY, PERIOD. 176 00:09:38,280 --> 00:09:39,620 YOU’RE TELLIN’ ME THAT GUY’S NOT DEAD?! 177 00:09:39,650 --> 00:09:41,520 I’M SAYING I DIDN’T DO IT. 178 00:09:41,550 --> 00:09:43,590 SO WHO DID IT, THEN?! 179 00:09:43,620 --> 00:09:44,950 IT WASN’T JUST ME AND HIM. 180 00:09:44,990 --> 00:09:46,760 THERE WAS ANOTHER GIRL THERE ALSO. 181 00:09:46,790 --> 00:09:49,520 WHERE’S YOUR RELIABLE INFORMATION ON THAT?! 182 00:09:49,560 --> 00:09:51,290 WHO IS THE OTHER GIRL, TRISH? 183 00:09:52,900 --> 00:09:57,110 SHE’S A SPANISH GIRL. I DON’T KNOW HER TOO GOOD. 184 00:09:57,140 --> 00:09:58,540 BUT I WAS WITH HER FOR A MINUTE 185 00:09:58,570 --> 00:10:00,840 WHEN SHE PICKED UP THIS FOREIGN GUY. 186 00:10:00,870 --> 00:10:02,300 WE WORKED IT OUT 187 00:10:02,340 --> 00:10:04,370 THAT WHILE SHE WAS GETTING IT ON WITH HIM IN THE PARK, 188 00:10:04,410 --> 00:10:06,640 I WAS GONNA... 189 00:10:06,680 --> 00:10:08,180 LIFT HIS WALLET. 190 00:10:08,210 --> 00:10:10,280 Sipowicz: OH, PERISH THE THOUGHT! 191 00:10:10,310 --> 00:10:13,380 WHEN WE GOT THERE, THEY GOT IN A FIGHT. 192 00:10:13,420 --> 00:10:16,230 SHE WENT FOR THE WALLET HERSELF. 193 00:10:16,250 --> 00:10:18,690 AND HE STARTED HITTING HER, 194 00:10:18,720 --> 00:10:20,860 AND SHE STARTED SCREAMING. 195 00:10:20,890 --> 00:10:23,730 AND THEN HER FRIEND RAN UP TO HELP HER. 196 00:10:23,760 --> 00:10:26,190 A SPANISH GUY. 197 00:10:26,230 --> 00:10:27,730 IT WAS HIM STUCK THE TRICK. 198 00:10:27,770 --> 00:10:29,510 AND YOU SAW IT HAPPEN? 199 00:10:29,530 --> 00:10:30,700 I RAN. 200 00:10:30,740 --> 00:10:32,810 I DIDN’T ACTUALLY SEE THE CRIME. 201 00:10:32,840 --> 00:10:35,010 YOU GOTTA GIVE US NAMES. 202 00:10:35,040 --> 00:10:37,240 YEAH? WHAT’S GONNA HAPPEN TO ME IF I GIVE NAMES? 203 00:10:37,280 --> 00:10:39,380 WHAT’S GONNA HAPPEN IF YOU DON’T 204 00:10:39,410 --> 00:10:41,710 IS WHAT YOU NEED TO BE THINKIN’ ABOUT! 205 00:10:41,750 --> 00:10:42,720 [MUFFLED] RAMONA. 206 00:10:42,750 --> 00:10:43,990 WHAT’D YOU SAY?! 207 00:10:44,020 --> 00:10:45,090 AAH. RAMONA! 208 00:10:46,420 --> 00:10:49,360 HER LAST NAME’S GARZA. 209 00:10:49,390 --> 00:10:52,500 AND...FRANKIE... 210 00:10:52,520 --> 00:10:54,490 I DON’T KNOW‐‐ I’VE HEARD IT. 211 00:10:54,530 --> 00:10:55,770 SOSA, SOTA, SOMETHING. 212 00:10:55,790 --> 00:10:56,760 SOTO? 213 00:10:56,800 --> 00:10:58,870 SOUNDS RIGHT. 214 00:10:58,900 --> 00:11:00,570 DO YOU KNOW WHERE WE CAN FIND HIM? 215 00:11:00,600 --> 00:11:02,060 UH, FRANKIE’S A BARFLY. 216 00:11:02,100 --> 00:11:05,700 HE HANGS OUT MAINLY AT BUDDY AND JACK’S. 217 00:11:05,740 --> 00:11:07,850 RAMONA MORE DIGS CRACK, BUT SHE LOVES HIM, 218 00:11:07,870 --> 00:11:09,440 SO LATELY SHE’S BEEN DRINKING. 219 00:11:09,470 --> 00:11:11,670 YOU’RE GONNA NEED TO TAPE A STATEMENT. 220 00:11:11,710 --> 00:11:13,240 WHY? BECAUSE I SAY SO! 221 00:11:13,280 --> 00:11:15,220 I WAS BARELY INVOLVED. 222 00:11:15,250 --> 00:11:17,720 TAPED STATEMENT’S HOW YOU’RE GONNA GET THAT ACROSS. 223 00:11:17,750 --> 00:11:19,510 WE’LL GET A D.A. IN HERE FOR YOU, 224 00:11:19,550 --> 00:11:21,250 GET YOUR SIDE OF IT ON THE RECORD. 225 00:11:21,290 --> 00:11:22,490 PRETEND SHE’S AUDREY HEPBURN. 226 00:11:27,430 --> 00:11:29,130 THAT GUY’S DANGEROUS. 227 00:11:29,160 --> 00:11:31,890 BEVERAGE WHILE WE GET YOU SET UP? 228 00:11:31,930 --> 00:11:33,360 YOU GOT GINSENG TEA? 229 00:11:33,400 --> 00:11:34,740 NO. 230 00:11:34,770 --> 00:11:36,980 ANYTHING WITH CAFFEINE. 231 00:11:39,400 --> 00:11:41,640 SHE’S ONLY IN THE PARK TO LIFT THE GUY’S WALLET. 232 00:11:41,670 --> 00:11:42,970 HER CRACKHEAD SPANISH GIRLFRIEND 233 00:11:43,010 --> 00:11:44,820 AND THE DRUNK SHE RUNS WITH DID THE MURDER. 234 00:11:44,840 --> 00:11:46,370 SHE GAVE YOU A PLACE ON ’EM? 235 00:11:46,410 --> 00:11:47,810 BUDDY AND JACK’S. 236 00:11:47,850 --> 00:11:49,760 IS SYLVIA RIDING? 237 00:11:49,780 --> 00:11:52,050 YOU WANNA CALL HER? 238 00:11:52,080 --> 00:11:54,420 IF I WANTED TO CALL HER, MEDAVOY, I’D PICK UP THE PHONE AND DIAL. 239 00:11:54,450 --> 00:11:56,420 LET ME CALL HER. 240 00:11:56,450 --> 00:11:59,050 AND I’LL ASK HER TO AUTHORIZE A SUMMARY ARREST 241 00:11:59,090 --> 00:12:01,620 ON THOSE TWO WE’RE LOOKING FOR. GOOD. 242 00:12:01,660 --> 00:12:04,990 NOTHING FROM KIRKENDALL WITH THIS FURTHER TEST? 243 00:12:05,030 --> 00:12:08,560 I‐‐I‐‐SHE TELLS ME NOT TO WORRY. SYLVIA. 244 00:12:08,600 --> 00:12:10,430 YOU KNOW‐‐"ANDY, HE’S GONNA BE FINE." 245 00:12:10,470 --> 00:12:12,230 WELL, MAYBE HE IS, ANDY. 246 00:12:12,270 --> 00:12:14,400 YEAH, THEY TOOK HIM FOR EMERGENCY TESTING 247 00:12:14,440 --> 00:12:16,840 ’CAUSE HE’S DOING SO FAMOUSLY. 248 00:12:16,880 --> 00:12:20,350 BEFORE SUNSET, MEDAVOY, I WANNA GO LOOK FOR THESE TWO. 249 00:12:20,380 --> 00:12:21,340 BYE. 250 00:12:24,680 --> 00:12:26,820 SYLVIA SAYS HELLO. 251 00:12:26,850 --> 00:12:29,790 YEAH, THE GREAT MEDICAL EXPERT. 252 00:12:51,310 --> 00:12:52,670 C‐C‐CAN I SAY A COUPLE OF THINGS? 253 00:12:52,710 --> 00:12:53,910 SURE. 254 00:12:56,010 --> 00:12:57,010 IT’S COLD, 255 00:12:57,050 --> 00:13:01,380 HAVING TROUBLE... GETTING MY BREATH, 256 00:13:01,420 --> 00:13:03,650 AND I’VE REALLY GOTTA URINATE. 257 00:13:03,690 --> 00:13:06,220 THE COLD’S SO THE MACHINE FUNCTIONS PROPERLY, 258 00:13:06,260 --> 00:13:09,870 YOU’RE HAVING TROUBLE BREATHING BECAUSE WE HAVE YOU LYING FLAT, 259 00:13:09,890 --> 00:13:12,990 AND YOU NEED TO URINATE BECAUSE OF THE DYE WE’RE GIVING YOU. 260 00:13:13,030 --> 00:13:15,400 OH, SO NOW I KNOW. 261 00:13:15,430 --> 00:13:17,970 TRY AND HOLD REAL STILL WHILE WE START TAKING SOME PICTURES. 262 00:13:18,000 --> 00:13:20,870 IF YOU’D LIKE, YOU CAN WATCH ON THE MONITOR. 263 00:13:20,910 --> 00:13:22,250 NO, THAT’S OK. 264 00:13:26,240 --> 00:13:28,240 AGAIN OF THE CIRCUMFLEX. 265 00:13:30,750 --> 00:13:32,650 OK. LET’S LOOK AT THE L. E. D. 266 00:13:32,680 --> 00:13:34,020 Nurse: L. E. D.’s CLEAN. 267 00:13:35,920 --> 00:13:38,390 BOBBY, I DON’T SEE ANY PLAQUING OR BLOCKAGES IN YOUR ARTERIES 268 00:13:38,420 --> 00:13:39,860 THAT WOULD BE GIVING YOU THESE SYMPTOMS. 269 00:13:39,890 --> 00:13:40,890 YEAH, UH‐HUH. 270 00:13:40,930 --> 00:13:42,330 THERE’S SOME OTHER PROCESS GOING ON, 271 00:13:42,360 --> 00:13:44,660 AND I WANT TO GO AHEAD AND TAKE SOME BIOPSY SAMPLES 272 00:13:44,700 --> 00:13:46,200 FROM DIFFERENT AREAS OF YOUR HEART. 273 00:13:46,230 --> 00:13:48,900 I TELL YA, I REALLY CAN’T BREATHE. 274 00:13:48,930 --> 00:13:50,900 80 OF LASIX, 5 OF MORPHINE. 275 00:13:50,940 --> 00:13:53,010 WE’RE GONNA RUN A SECOND CATHETER 276 00:13:53,040 --> 00:13:54,710 WITH A LITTLE SNIPPER ON THE END OF IT 277 00:13:54,740 --> 00:13:55,770 THROUGH A VEIN IN YOUR NECK. 278 00:13:55,810 --> 00:13:58,780 DOC, I TELL YA, I REALLY GOTTA URINATE. 279 00:14:00,910 --> 00:14:04,380 AND I’M‐‐ I’M SUFFOCATING. 280 00:14:04,420 --> 00:14:06,460 LET’S HOLD UP. 281 00:14:06,480 --> 00:14:08,550 LET’S GET A URINAL FOR MR. SIMONE. 282 00:14:08,590 --> 00:14:11,560 AND LET YOU LIFT YOUR HEAD FOR A FEW SECONDS. 283 00:14:23,500 --> 00:14:25,600 WELL, EVERYBODY, CLOSE YOUR EYES. 284 00:14:55,130 --> 00:14:57,430 YOU GUYS MAKE ME SICK! 285 00:14:57,470 --> 00:15:00,070 WHY CAN’T YOU LEAVE ME ALONE? 286 00:15:00,100 --> 00:15:02,900 I GOT ONE ROACH IN MY LEFT PANTS POCKET, ALL RIGHT? 287 00:15:02,940 --> 00:15:04,410 WHAT’S YOUR NAME? ONE ROACH 288 00:15:04,440 --> 00:15:06,240 AND MAYBE SOME RESIDUE AMONG THE POCKET‐‐ 289 00:15:06,280 --> 00:15:07,920 HEY, HE ASKED YOU A QUESTION, NUMB‐NUTS. 290 00:15:07,950 --> 00:15:10,290 G‐BONE. GERALD LEMON. 291 00:15:10,310 --> 00:15:11,750 IS FRANKIE SOTO INSIDE? 292 00:15:11,780 --> 00:15:13,780 IT’S NOT MY USUAL PLACE. 293 00:15:13,820 --> 00:15:16,120 I WAS JUST IN TRYING IT OUT. 294 00:15:16,150 --> 00:15:17,820 GO AHEAD AND RUN ME IN... 295 00:15:17,860 --> 00:15:19,670 YOU KNOW A GUY NAMED FRANKIE SOTO? 296 00:15:19,690 --> 00:15:21,320 HE COMES IN HERE REGULAR. 297 00:15:21,360 --> 00:15:22,690 I DON’T ASK ANYBODY’S NAME. 298 00:15:22,730 --> 00:15:24,300 YOU SAYING YOU DON’T KNOW THE GUY? I DON’T KNOW HIM. 299 00:15:24,330 --> 00:15:26,090 EVERYBODY, STAND UP. PUT YOUR HANDS ON THE BAR. 300 00:15:26,130 --> 00:15:29,030 COME ON, EVERYBODY. YOU, TOO, TOUGH GUY. GET UP THERE! 301 00:15:29,070 --> 00:15:30,480 COME ON. YOU’RE ALL GONNA SHOW I. D. s. 302 00:15:30,500 --> 00:15:32,200 GET UP THERE. 303 00:15:32,240 --> 00:15:33,850 FRANKIE SOTO, SPEAK UP NOW IF YOU’RE IN HERE 304 00:15:33,870 --> 00:15:35,370 SO YOU CAN SAVE US THE TROUBLE. 305 00:15:35,410 --> 00:15:36,650 I’M SOTO. 306 00:15:36,680 --> 00:15:37,980 ALL RIGHT, THE REST OF YOU SIT DOWN. 307 00:15:38,010 --> 00:15:40,610 HEY, PECKERHEAD, LET ME INTRODUCE YOU TO FRANKIE SOTO, 308 00:15:40,650 --> 00:15:42,690 THE GUY YOU BEEN GIVING HIS MAIL TO 309 00:15:42,710 --> 00:15:43,550 WITHOUT KNOWING HIS NAME. 310 00:15:43,580 --> 00:15:44,780 I DIDN’T KNOW YOU MEANT HIM. 311 00:15:44,820 --> 00:15:47,390 OH, YOU THOUGHT I MEANT THE OTHER FRANKIE SOTO. 312 00:15:47,420 --> 00:15:49,220 THIS HOW YOU GET YOUR BOOZE MONEY, 313 00:15:49,250 --> 00:15:50,490 ROBBING AND STICKING PEOPLE? 314 00:15:50,520 --> 00:15:51,790 HEY, I NEVER STUCK NOBODY. 315 00:15:51,820 --> 00:15:54,220 YEAH? WHAT WERE YOU DOING IN THE PARK LAST NIGHT? 316 00:15:54,260 --> 00:15:56,730 I WASN’T. I WAS HERE LAST NIGHT, WITH HER. 317 00:15:56,760 --> 00:15:57,990 WHAT THE HELL HAPPENED TO YOU? 318 00:15:58,030 --> 00:15:59,290 MY BOYFRIEND. 319 00:15:59,330 --> 00:16:00,400 YOU DID THAT? 320 00:16:00,430 --> 00:16:01,800 HEY, WAS SHE ASKING FOR IT? 321 00:16:01,830 --> 00:16:03,730 WHO THREW THE FIRST PUNCH, ME OR HER? 322 00:16:03,770 --> 00:16:05,000 YOU GOT IN THE LAST ONE. 323 00:16:05,040 --> 00:16:07,510 THEY BROKE THIS PLACE UP LAST NIGHT. 324 00:16:07,540 --> 00:16:09,840 BEEN ME IN THE BAR LAST NIGHT, YOUR ASS BE 86’d. 325 00:16:09,870 --> 00:16:11,910 WE HAD ’EM RUNNING FOR COVER. 326 00:16:11,940 --> 00:16:13,880 SEE THAT? HER HEAD DID THAT. 327 00:16:13,910 --> 00:16:15,480 KNOCKED HER ALL THE WAY ACROSS THE ROOM‐‐ 328 00:16:15,510 --> 00:16:18,380 POW‐‐WITH ONE GOOD RIGHT HAND. 329 00:16:18,420 --> 00:16:19,990 YEAH. WE WERE ROCKING AND ROLLING 330 00:16:20,020 --> 00:16:22,380 UP ONE SIDE OF THE BAR AND DOWN THE OTHER, 331 00:16:22,420 --> 00:16:24,520 BUT YOU BETTER SLEEP WITH ONE EYE OPEN. 332 00:16:24,560 --> 00:16:26,330 WHAT TIME THIS LITTLE DONNYBROOK TAKE PLACE? 333 00:16:26,360 --> 00:16:28,330 THESE 2 ASSES WAS ARGUING ALL NIGHT. 334 00:16:28,360 --> 00:16:30,030 THE ROUGH STUFF STARTED ABOUT 3:00. 335 00:16:30,060 --> 00:16:31,560 THEY WERE IN HERE ALL NIGHT? THEY DIDN’T GO OUT? 336 00:16:31,600 --> 00:16:33,100 NO. WHAT FOR? THEY NEVER EAT. 337 00:16:33,130 --> 00:16:35,560 I SHOWED UP ABOUT 10:00. THEY WERE HERE. 338 00:16:35,600 --> 00:16:38,230 THEY WERE THROWN OUT AROUND 3:00, LIKE HE SAID. 339 00:16:38,270 --> 00:16:41,700 THEY DIDN’T LEAVE THOSE STOOLS EXCEPT TO FIGHT OR GO TO THE CAN. 340 00:16:41,740 --> 00:16:43,000 LYIN’ BITCH TRISH. 341 00:16:43,040 --> 00:16:45,110 YOU WANNA PRESS CHARGES AGAINST THIS ASSHOLE? 342 00:16:45,140 --> 00:16:46,340 NO. I’M GONNA GET EVEN. 343 00:16:46,380 --> 00:16:48,850 I’M GONNA WORRY HIM TO DEATH. 344 00:16:48,880 --> 00:16:49,910 GIMME THAT BLADE. 345 00:16:52,750 --> 00:16:53,820 LET’S GO. 346 00:17:09,800 --> 00:17:11,800 GOD, LET HIM BE ALL RIGHT. 347 00:17:13,970 --> 00:17:15,740 HE’S ON HIS WAY TO THE ROOM. 348 00:17:16,940 --> 00:17:19,210 THIS IS MY FRIEND, JILL KIRKENDALL. 349 00:17:19,240 --> 00:17:21,140 WE MET. OH, SURE, YOU DID. 350 00:17:21,180 --> 00:17:22,410 HI AGAIN. 351 00:17:22,450 --> 00:17:25,120 THE ARTERIES TO BOBBY’S HEART ARE CLEAR. 352 00:17:25,150 --> 00:17:26,950 THAT PUTS THE TROUBLE IN THE HEART ITSELF, 353 00:17:26,990 --> 00:17:29,230 AND I WENT AHEAD AND TOOK THE SMALL TISSUE SAMPLES 354 00:17:29,250 --> 00:17:31,050 THAT WE TALKED ABOUT FOR LAB ANALYSIS. 355 00:17:31,090 --> 00:17:32,250 THIS IS THE BIOPSY? 356 00:17:32,290 --> 00:17:34,390 IT’S CALLED A BIOPSY, RIGHT. 357 00:17:34,430 --> 00:17:37,100 NOW, I NEED TO TELL YOU THAT, IN SOME SENSE, 358 00:17:37,130 --> 00:17:38,660 THE BIOPSY RESULTS ARE SECONDARY, 359 00:17:38,700 --> 00:17:41,170 BECAUSE WHATEVER’S GOING ON HAS DAMAGED BOBBY’S HEART BADLY ENOUGH 360 00:17:41,200 --> 00:17:43,060 THAT I THINK WE’RE LOOKING AT SURGERY. 361 00:17:43,100 --> 00:17:44,630 LIKE A BYPASS? 362 00:17:44,670 --> 00:17:46,400 THIS MACHINE INFLATES AND DEFLATES THE BALLOON 363 00:17:46,440 --> 00:17:48,980 I PUT IN BOBBY’S AORTA TO HELP HIS HEART PUMP. 364 00:17:49,010 --> 00:17:50,620 YOU ALREADY DID THE SURGERY? 365 00:17:50,640 --> 00:17:52,010 NO. I THREADED THE BALLOON 366 00:17:52,040 --> 00:17:54,440 THROUGH THE SAME CATHETER INCISION IN BOBBY’S THIGH. 367 00:17:54,480 --> 00:17:57,110 THAT’S A TEMPORARY MEASURE TO HELP HIS HEART PUMP 368 00:17:57,150 --> 00:17:59,080 AND SO HE CAN BREATHE MORE EASILY. 369 00:17:59,120 --> 00:18:00,330 BUT HE’LL STILL NEED AN OPERATION. 370 00:18:00,350 --> 00:18:01,680 I THINK HE IS. 371 00:18:01,720 --> 00:18:03,420 AND THEN HE WON’T NEED THE MACHINE ANYMORE. 372 00:18:03,450 --> 00:18:04,420 THEN HE WON’T NEED THE MACHINE. 373 00:18:04,460 --> 00:18:05,760 NOW, I EXPLAINED TO BOBBY 374 00:18:05,790 --> 00:18:08,760 WHY I PUT THE BALLOON IN AND STARTED HIM ON THE PUMP, 375 00:18:08,790 --> 00:18:10,690 BUT I DON’T KNOW HOW MUCH HE’LL REMEMBER. 376 00:18:10,730 --> 00:18:12,660 I HAD TO GIVE HIM A PRETTY GOOD DOSE OF MORPHINE 377 00:18:12,700 --> 00:18:13,740 DURING THE BIOPSY. 378 00:18:20,470 --> 00:18:21,540 HI. 379 00:18:21,570 --> 00:18:22,900 HI, BOBBY. 380 00:18:27,180 --> 00:18:29,040 FIRST TIME I BREATHED GOOD IN 3 WEEKS. 381 00:18:29,080 --> 00:18:31,310 YEAH? 382 00:18:31,350 --> 00:18:33,050 THAT PUMP’S HELPING WITH YOUR BLOOD FLOW. 383 00:18:33,080 --> 00:18:35,680 GOTTA GIVE THIS GUY A D. E. A. COURTESY CARD. 384 00:18:35,720 --> 00:18:38,020 ABSOLUTELY. 385 00:18:39,760 --> 00:18:42,720 I’M GONNA CLOSE MY EYES A LITTLE WHILE, OK, BABE? 386 00:18:42,760 --> 00:18:44,390 SURE. 387 00:18:47,230 --> 00:18:49,200 HEY, JILL. 388 00:18:49,230 --> 00:18:50,700 HI, BOBBY. 389 00:18:52,070 --> 00:18:54,000 CAN YOU STAY WITH DIANE FOR A WHILE? 390 00:18:54,040 --> 00:18:56,540 SURE. 391 00:18:56,580 --> 00:18:58,020 GOOD. 392 00:19:13,760 --> 00:19:15,720 LET’S TALK SOME MORE DOWN HERE. 393 00:19:15,760 --> 00:19:17,390 WE’LL JUST BE A MINUTE. 394 00:19:17,430 --> 00:19:19,060 CAN YOU STAY, THOUGH? 395 00:19:19,100 --> 00:19:20,610 SURE. 396 00:19:31,280 --> 00:19:32,850 IS HE DYING? 397 00:19:32,880 --> 00:19:35,550 NO, BUT WE NEED TO HELP HIM. 398 00:19:35,580 --> 00:19:37,350 WE’LL DO ANYTHING YOU SAY. 399 00:19:37,380 --> 00:19:39,280 A BYPASS ISN’T AN OPTION. 400 00:19:39,320 --> 00:19:41,390 BOBBY’S ARTERIES ARE CLEAR. 401 00:19:41,420 --> 00:19:43,350 IT’S HIS HEART ITSELF THAT’S BEEN DAMAGED. 402 00:19:43,390 --> 00:19:47,070 IF HIS CONDITION IMPROVES OVER THE NEXT FEW DAYS, 403 00:19:47,090 --> 00:19:49,290 WE MAY IMPLANT WHAT’S CALLED 404 00:19:49,330 --> 00:19:51,900 A LEFT VENTRICULAR ASSIST DEVICE. 405 00:19:51,930 --> 00:19:54,730 ESSENTIALLY, THAT’S A LESS‐TEMPORARY PUMPING APPARATUS. 406 00:19:54,770 --> 00:19:56,940 THAT’S IF IT IMPROVES? 407 00:19:56,970 --> 00:19:59,570 NOW, LOOKING PAST THAT, 408 00:19:59,600 --> 00:20:01,900 I’M PRETTY SURE HE’S GONNA NEED A TRANSPLANT. 409 00:20:01,940 --> 00:20:03,000 OH... 410 00:20:07,780 --> 00:20:10,750 I KNOW YOU FEEL LIKE YOUR WORLD IS FALLING APART. 411 00:20:10,780 --> 00:20:14,880 THE FACT IS THAT AFTER A SUCCESSFUL PROCEDURE, 5 YEARS OUT, 412 00:20:14,920 --> 00:20:18,450 80% TO 90% OF CARDIAC TRANSPLANT PATIENTS ARE ALIVE 413 00:20:18,490 --> 00:20:21,790 AND LIVING RELATIVELY NORMAL LIVES. 414 00:20:21,830 --> 00:20:25,240 I PERSONALLY KNOW A HEART RECIPIENT WHO’S BEEN ALIVE 16 YEARS. 415 00:20:25,260 --> 00:20:27,460 GOOD. GOOD. 416 00:20:27,500 --> 00:20:31,470 I’LL COME BACK WHEN BOBBY’S MORE ALERT AND TALK TO HIM. 417 00:20:31,500 --> 00:20:34,900 ALSO, TONIGHT‐‐ OR MORE LIKELY TOMORROW‐‐ 418 00:20:34,940 --> 00:20:38,070 I’LL INTRODUCE YOU TO THE SURGEON WHO’S JOINING THE CASE. 419 00:20:38,110 --> 00:20:41,440 OK. COU‐COULD YOU ASK MY GIRLFRIEND TO COME IN? 420 00:20:41,480 --> 00:20:42,610 SURE. 421 00:20:42,650 --> 00:20:44,620 AND IF HE’S AWAKE, 422 00:20:44,650 --> 00:20:48,080 COULD YOU TELL HIM I’LL BE IN IN JUST A SECOND? 423 00:20:48,120 --> 00:20:50,390 I’LL BE IN IN JUST A SECOND. 424 00:20:52,160 --> 00:20:54,130 SHE’D LIKE YOU TO BE WITH HER. 425 00:20:56,060 --> 00:20:57,160 HE’S SLEEPING. 426 00:21:04,900 --> 00:21:07,670 HIS HEART’S BADLY DAMAGED. 427 00:21:07,710 --> 00:21:09,980 HE NEEDS A BETTER HEART. 428 00:21:17,380 --> 00:21:18,310 OH... 429 00:21:21,220 --> 00:21:23,620 IS‐‐IS BOBBY ASLEEP? 430 00:21:23,660 --> 00:21:25,100 YEAH, HE’S SLEEPING. 431 00:21:27,730 --> 00:21:30,340 I’VE GOTTA BE STRONG FOR HIM. 432 00:21:31,400 --> 00:21:34,010 OK. IT’S ALL RIGHT. 433 00:21:37,000 --> 00:21:38,000 OK. 434 00:21:39,370 --> 00:21:40,340 SHH. 435 00:21:40,370 --> 00:21:42,270 OH...OH, GOD. 436 00:22:07,970 --> 00:22:10,280 I’LL, UH, CATCH THE BOSS UP. 437 00:22:10,300 --> 00:22:11,500 HI, SYLVIA. HI, GREG. 438 00:22:11,540 --> 00:22:13,180 SO I GUESS YOU WON’T BE HANGING OUT 439 00:22:13,200 --> 00:22:15,270 NO MEDICAL SHINGLE ANYTIME SOON. 440 00:22:15,310 --> 00:22:17,080 I HEARD THEY WERE RUNNING MORE TESTS. 441 00:22:17,110 --> 00:22:18,170 EMERGENCY TESTS, 442 00:22:18,210 --> 00:22:19,940 ’CAUSE THERE’S NOTHING TO WORRY ABOUT, 443 00:22:19,980 --> 00:22:21,610 LIKE YOU SAID AT HOME LAST NIGHT. 444 00:22:21,650 --> 00:22:24,120 ANDY, I SAID THAT THINKING THE WORST WASN’T GONNA HELP ANYTHING, 445 00:22:24,150 --> 00:22:25,580 AND I STILL FEEL THAT WAY. 446 00:22:25,620 --> 00:22:27,530 YEAH? NEXT TIME I’M AT THE OPTICIAN’S, 447 00:22:27,550 --> 00:22:29,380 I’LL PICK UP SOME ROSE‐COLORED GLASSES. 448 00:22:29,420 --> 00:22:31,420 UM, I‐‐TAKE THIS GIRL’S STATEMENT. 449 00:22:31,460 --> 00:22:34,070 YEAH? WELL, SHE’S A LYING PIECE OF GARBAGE, 450 00:22:34,090 --> 00:22:35,460 AND THAT STATEMENT’S USELESS. 451 00:22:35,490 --> 00:22:37,130 THAT’S NOT MY PROBLEM, ANDY, 452 00:22:37,160 --> 00:22:39,800 AND DON’T THINK THAT YOU CAN TALK TO ME LIKE A JERK 453 00:22:39,830 --> 00:22:42,060 ’CAUSE YOUR PARTNER’S SICK. 454 00:22:42,100 --> 00:22:43,570 THANKS FOR YOUR HELP, SYLVIA. 455 00:22:43,600 --> 00:22:45,570 YOU’RE WELCOME. 456 00:22:45,600 --> 00:22:47,240 HOW’D IT GO AT THE BAR? 457 00:22:47,270 --> 00:22:50,740 BOTH PEOPLE THIS LYIN’ TRISH GIVE US GOT GOOD ALIBIS. 458 00:22:50,780 --> 00:22:53,790 THEY WERE BEATING EACH OTHER SILLY IN FRONT OF WITNESSES. 459 00:22:55,110 --> 00:22:57,480 OK, JILL. MM‐HMM. 460 00:22:57,520 --> 00:22:59,630 GIVE BOTH OF ’EM OUR GOOD THOUGHTS. 461 00:23:02,590 --> 00:23:06,230 EVIDENTLY, THEY DIDN’T SEE WHAT THEY NEEDED TO ON THE ANGIOGRAM, 462 00:23:06,260 --> 00:23:09,740 SO THEY TOOK SOME TISSUE SAMPLES OUT OF BOBBY’S HEART. 463 00:23:09,760 --> 00:23:14,960 I GUESS WHAT THAT SHOWED IS, EVENTUALLY, HE’S GONNA NEED A TRANSPLANT. 464 00:23:18,200 --> 00:23:20,100 WHY DON’T YOU GO IN THERE WITH ANDY? 465 00:23:22,270 --> 00:23:23,440 UH, SURE, BOSS. 466 00:23:26,610 --> 00:23:28,580 GET YOUR EQUIPMENT OUT OF HERE. 467 00:23:28,610 --> 00:23:31,250 HAVE YOU GOT RAMONA AND HER BOYFRIEND IN CUSTODY? 468 00:23:31,280 --> 00:23:33,010 I’M GONNA TELL YOU IN A MINUTE. 469 00:23:37,320 --> 00:23:38,750 I GOT THIS. 470 00:23:38,790 --> 00:23:40,190 NO, ANDY. 471 00:23:41,690 --> 00:23:42,920 NO? 472 00:23:42,960 --> 00:23:44,030 NO. 473 00:23:44,060 --> 00:23:45,630 BECAUSE THIS LYIN’ TRISH 474 00:23:45,660 --> 00:23:46,860 HAS GOT ME PLENTY RILED UP, 475 00:23:46,900 --> 00:23:48,530 I’LL TELL YOU THAT RIGHT NOW! 476 00:23:48,570 --> 00:23:50,710 MY PARTNER SAYS THAT STORY YOU GAVE US 477 00:23:50,740 --> 00:23:52,210 WAS A BUNCH OF DOUBLE‐TALK. 478 00:23:52,240 --> 00:23:53,540 IT WAS NOT! 479 00:23:53,570 --> 00:23:55,540 FRANKIE SOTO AND THAT GARZA WOMAN 480 00:23:55,570 --> 00:23:58,470 WEREN’T IN THE PARK WITH YOU AND THAT DEAD GUY, TRISH. 481 00:23:58,510 --> 00:24:01,510 THEY GOT MULTIPLE WITNESSES VERIFYING WHERE THEY WERE AT! 482 00:24:01,550 --> 00:24:03,690 OUR BOSS JUST TOLD US TO CHARGE YOU 483 00:24:03,720 --> 00:24:05,720 WITH THE SOLE RESPONSIBILITY FOR THE MURDER. 484 00:24:05,750 --> 00:24:06,720 YOU KNIFED THAT MAN! 485 00:24:06,750 --> 00:24:08,280 THERE WERE 2 OTHER PEOPLE THERE, 486 00:24:08,320 --> 00:24:09,350 JUST LIKE I SAID! 487 00:24:09,390 --> 00:24:11,060 JUST NOT THE 2 PEOPLE I SAID. 488 00:24:11,090 --> 00:24:12,720 YOU GONNA LET HER RUN THAT CRAP?! 489 00:24:12,760 --> 00:24:15,370 THE MAN THAT COMMITTED THE STABBING’S A HOOKED‐UP GUY. 490 00:24:15,390 --> 00:24:17,530 HE’S THE GIRL I WAS WITH’S FATHER. 491 00:24:17,560 --> 00:24:19,700 THAT’S WHY I WAS FORCED TO MISLEAD YOU. 492 00:24:19,730 --> 00:24:21,230 GIVE UP THE NAMES, AND NO MORE LYING! 493 00:24:21,270 --> 00:24:22,970 OH, YOU’RE SERIOUS NOW. 494 00:24:23,000 --> 00:24:24,670 HE’S A MOB GUY. CAN’T YOU UNDERSTAND? 495 00:24:24,700 --> 00:24:26,030 GIVE UP THE NAMES, 496 00:24:26,070 --> 00:24:27,970 AND WE’LL SAY SOME HOMELESS PERSON TOLD US. 497 00:24:28,010 --> 00:24:30,150 JOHN LATONA, AND HIS DAUGHTER’S NAME’S VICKIE, 498 00:24:30,170 --> 00:24:32,310 AND HE COME LOOKING FOR HIS DAUGHTER ’CAUSE OF HER CRACK USE. 499 00:24:32,340 --> 00:24:34,240 WHEN HE FOUND HER DOING WHAT SHE WAS DOING, HE STABBED THE GUY. 500 00:24:34,280 --> 00:24:35,380 THAT’S THE GOD’S HONEST TRUTH! 501 00:24:35,410 --> 00:24:37,380 WE NEED PROOF TO CONVINCE US, TRISH, 502 00:24:37,420 --> 00:24:39,360 ’CAUSE YOUR CREDIBILITY’S ZERO. 503 00:24:39,380 --> 00:24:40,750 I TOOK THE DEAD GUY’S WALLET 504 00:24:40,790 --> 00:24:42,890 AND HID IT IN THE CRACK IN VICKIE’S DAD’S BACKSEAT. 505 00:24:42,920 --> 00:24:45,920 HE DROVE YOU AND VICKIE AWAY FROM THE PARK AFTERWARDS? 506 00:24:45,960 --> 00:24:49,840 AND HE SAID IF I GAVE ANY INFORMATION, I’D BE AS GOOD AS DEAD. 507 00:24:49,860 --> 00:24:52,260 WRITE WHERE I CAN CONTACT THEM TWO. 508 00:24:52,300 --> 00:24:55,770 HE’S GOT VICKIE BACK AT HIS PLACE IN STUYVESANT TOWN. 509 00:24:55,800 --> 00:24:57,530 I DON’T KNOW THE ADDRESS. 510 00:24:57,570 --> 00:24:58,600 SHE GOT A RECORD? 511 00:24:58,640 --> 00:25:01,510 UH, JUST A COUPLE OF SHOPLIFTING THINGS 512 00:25:01,540 --> 00:25:03,100 AS FAR AS I KNOW. 513 00:25:05,710 --> 00:25:07,740 [DOOR SLAMS] 514 00:25:07,780 --> 00:25:10,110 SO, NOW THAT I’M GIVING COOPERATION, 515 00:25:10,150 --> 00:25:12,250 I GUESS MY LIFE’S NOT WORTH DIRT. 516 00:25:12,280 --> 00:25:15,380 DOWN FROM THE BIG, CONTRIBUTING SOCIETY MEMBER THAT YOU WERE 517 00:25:15,420 --> 00:25:16,720 BEFORE ALL THIS HAPPENED. 518 00:25:41,450 --> 00:25:43,760 YOU GOT A PHONE NUMBER FOR THIS LATONA? 519 00:25:43,780 --> 00:25:46,750 DON’T YOU EVER QUEER MY PLAY IN AN INTERVIEW AGAIN. 520 00:25:46,790 --> 00:25:49,160 NOBODY WAS LOOKIN’ TO QUEER YOUR PLAY, ANDY. 521 00:25:49,190 --> 00:25:52,400 DETECTIVE ANDY SIPOWICZ, 15th SQUAD. 522 00:25:52,420 --> 00:25:55,160 I’M TRYING TO FIND A VICKIE LATONA. 523 00:25:55,190 --> 00:25:57,230 WE GOT A DISCREPANCY ON HER BAIL FORM 524 00:25:57,260 --> 00:25:58,730 ON A SHOPLIFTING CHARGE. 525 00:25:58,760 --> 00:26:01,260 SHE CAN SAVE A NEW WARRANT BEING ISSUED 526 00:26:01,300 --> 00:26:04,900 IF SHE COMES DOWN AND CHANGES THE FORM. 527 00:26:04,940 --> 00:26:07,550 WE’RE ON THE SECOND FLOOR. YEAH. 528 00:26:08,770 --> 00:26:10,340 YOU UNDERSTAND WHAT I SAID? 529 00:26:10,370 --> 00:26:12,110 AND WHAT WAS YOUR PLAY GONNA BE, ANDY, 530 00:26:12,140 --> 00:26:15,080 BREAK THIS TRISH’S JAW, AND THEN WE LOSE HER AS A TESTIFYING WITNESS? 531 00:26:15,110 --> 00:26:17,250 KEEP MOUTHIN’ OFF TO ME, MARTINEZ, 532 00:26:17,280 --> 00:26:19,580 I’LL SHOW YOU WHAT MY PLAY WAS GONNA BE 533 00:26:19,620 --> 00:26:20,820 DOWNSTAIRS IN THE ALLEY. 534 00:26:20,850 --> 00:26:23,150 IT’S JUST BOBBY HAVING ALL THESE TESTS, ANDY. 535 00:26:23,190 --> 00:26:25,860 YOU’RE JUST A PAIN IN THE ASS AND DON’T KNOW HOW TO BE CONCERNED 536 00:26:25,890 --> 00:26:28,260 WITHOUT MAKING OTHER PEOPLE FEEL MISERABLE, 537 00:26:28,290 --> 00:26:30,130 AND I’LL TELL YOU THAT HERE OR DOWNSTAIRS. 538 00:26:37,140 --> 00:26:39,650 OBVIOUSLY, WE’RE ALL OVERWROUGHT. 539 00:27:01,260 --> 00:27:06,330 DETECTIVE SIPOWICZ SAYS HE’LL NEED ACCESS 15 MINUTES OR SO. 540 00:27:06,360 --> 00:27:10,430 ONE OF THE PERPETRATORS IN CUSTODY SAID IT’S SECRETED IN THE BACKSEAT. 541 00:27:12,100 --> 00:27:13,740 I’M JOHN LATONA. 542 00:27:13,770 --> 00:27:17,010 MY DAUGHTER WAS REQUESTED IN BY DETECTIVE SLIVAWICZ. 543 00:27:17,040 --> 00:27:18,240 MR. LATONA. 544 00:27:18,280 --> 00:27:19,250 SLIVAWICZ? 545 00:27:19,280 --> 00:27:21,490 I’M DETECTIVE MEDAVOY. 546 00:27:21,510 --> 00:27:24,050 DETECTIVE SIPOWICZ IS OCCUPIED AT THE MOMENT. 547 00:27:24,080 --> 00:27:25,880 HERE’S MY DAUGHTER VICKIE. 548 00:27:25,920 --> 00:27:28,490 WHATEVER THE BAIL‐FORM PROBLEM, 549 00:27:28,520 --> 00:27:29,990 SHE SHOULDN’T HAVE BEEN BOOKED TO BEGIN WITH. 550 00:27:30,020 --> 00:27:32,220 LET’S TALK ABOUT THIS IN THE COFFEE‐‐ 551 00:27:32,260 --> 00:27:33,570 SHE AIN’T TALKIN’. 552 00:27:33,590 --> 00:27:34,990 SHE WASN’T GUILTY IN THAT SHOPLIFTING. 553 00:27:35,030 --> 00:27:36,770 SHE WAS A BYSTANDER. 554 00:27:36,800 --> 00:27:40,440 MR. LATONA, IS VICKIE ACTUALLY MUTE? 555 00:27:40,460 --> 00:27:42,400 IS SHE CAPABLE OF SPEAKING? 556 00:27:42,430 --> 00:27:43,500 I CAN SPEAK. 557 00:27:43,530 --> 00:27:44,900 NOT IN HERE YOU CAN’T. 558 00:27:44,940 --> 00:27:46,680 IN HERE, YOU KEEP YOUR MOUTH SHUT. 559 00:27:46,710 --> 00:27:50,380 GREAT. YOU TALK FOR ME. TALK ALL YOU WANT. 560 00:27:50,410 --> 00:27:51,540 RIGHT THIS WAY. 561 00:27:57,080 --> 00:28:00,050 THE JUDGE GAVE A PHONE AUTHORIZATION FOR YOUR CAR SEARCH. 562 00:28:00,080 --> 00:28:01,780 THANKS. 563 00:28:09,230 --> 00:28:13,070 IT’S SOME COMPUTER GLITCH ON YOUR BAIL FORM. 564 00:28:13,100 --> 00:28:18,410 WE NEED TO VERIFY YOUR LIST OF PREVIOUS RESIDENCES. 565 00:28:18,440 --> 00:28:20,880 IT’LL JUST TAKE A LITTLE WHILE. 566 00:28:20,910 --> 00:28:22,910 EXCUSE ME. YOU DRIVE A WHITE CADDY? 567 00:28:22,940 --> 00:28:24,570 WHAT HAPPENED? 568 00:28:24,610 --> 00:28:26,880 NOTHIN’. YOU’RE BLOCKING ONE OF THE POLICE BUSES. 569 00:28:26,910 --> 00:28:28,440 WHY DON’T YOU GIVE ME THE KEYS? 570 00:28:28,480 --> 00:28:29,950 I’LL MOVE IT, LIKE, 10 FEET. 571 00:28:29,980 --> 00:28:31,380 YOU EVER DRIVE A CADILLAC? 572 00:28:31,420 --> 00:28:34,360 YEAH. I MOONLIGHT AS A CHAUFFEUR. 573 00:28:46,930 --> 00:28:47,830 SO... 574 00:28:48,930 --> 00:28:50,770 OH, HERE WE GO. 575 00:28:54,640 --> 00:28:56,440 AH. 576 00:29:04,350 --> 00:29:06,620 THOSE POLICE BUSES ARE SOME PARKING IMPEDIMENT. 577 00:29:18,530 --> 00:29:20,000 [BEEP BEEP BEEP] 578 00:29:21,070 --> 00:29:22,040 [BEEP] 579 00:29:28,310 --> 00:29:29,650 I GOT THE WALLET. 580 00:29:29,670 --> 00:29:31,870 YEAH, AND THIS BLAZER’S GOT BLOOD ON IT. 581 00:29:31,910 --> 00:29:34,210 THERE’S A BUTTON MISSING. 582 00:29:34,250 --> 00:29:36,890 I DON’T THINK THE WARRANT COVERS THE TRUNK. 583 00:29:40,590 --> 00:29:41,890 LISTEN, UH... 584 00:29:43,250 --> 00:29:44,890 I’M SORRY. 585 00:29:44,920 --> 00:29:46,050 NO HARD FEELINGS. 586 00:29:46,090 --> 00:29:47,520 I UNDERSTAND. 587 00:29:51,660 --> 00:29:55,060 PLEASE, DON’T EITHER OF YOU QUOTE ME ON THIS, 588 00:29:55,100 --> 00:29:56,400 BUT, UH, 589 00:29:56,430 --> 00:29:58,030 I SOMETIMES WONDER, 590 00:29:58,070 --> 00:29:59,870 WITH THESE NEW COMPUTERS WE GOT, 591 00:29:59,900 --> 00:30:02,670 HOW WE SOLVE ANY CRIMES AT ALL. 592 00:30:04,740 --> 00:30:06,210 THOSE ARE MY LAST 3 ADDRESSES, 593 00:30:06,240 --> 00:30:07,740 PRIOR TO THE BIG SCENE HE MADE 594 00:30:07,780 --> 00:30:09,710 MAKING ME MOVE BACK IN WITH HIM. 595 00:30:09,750 --> 00:30:11,880 LIKE THOSE AUTOMATIC READERS WE GOT 596 00:30:11,920 --> 00:30:14,030 IN, UH, SUPERMARKET CHECKOUT LINES? 597 00:30:14,050 --> 00:30:16,350 THEY’RE SUPPOSED TO SPEED THINGS UP, 598 00:30:16,390 --> 00:30:19,830 BUT YOU STILL GOT A WOMAN IN FRONT OF YOU CASHING A $10 CHECK. 599 00:30:19,860 --> 00:30:22,290 WHERE’S THE EFFICIENCY IN THAT? 600 00:30:23,700 --> 00:30:25,540 WHAT’S UP, FELLAS? 601 00:30:25,560 --> 00:30:28,400 WE GOTTA TALK WITH MR. LATONA IN PRIVATE. 602 00:30:28,430 --> 00:30:29,900 YOU GOTTA TALK WITH ME IN PRIVATE? 603 00:30:29,930 --> 00:30:32,670 YEAH. YOU GOT SOME LEGAL PROBLEMS WE GOTTA TALK ABOUT. 604 00:30:32,700 --> 00:30:33,870 OH, GREAT. 605 00:30:33,910 --> 00:30:36,250 I AIN’T HAD NO LEGAL PROBLEMS IN 27 YEARS. 606 00:30:36,270 --> 00:30:38,170 WHY DON’T YOU COME OUTSIDE WITH ME WHILE THEY TALK TO YOUR DAD? 607 00:30:38,210 --> 00:30:40,280 YOU CAN’T HOLD ME UNLESS YOU ARREST ME. 608 00:30:40,310 --> 00:30:42,540 OK. CONSIDER YOURSELF ARRESTED. 609 00:30:42,580 --> 00:30:45,410 YOU GOT MY RESIDENCY FORMS. HOW ABOUT I JUST GO? 610 00:30:45,450 --> 00:30:46,580 WE’LL TALK ABOUT IT OUTSIDE. 611 00:30:46,620 --> 00:30:47,880 DON’T SAY NOTHIN’ OUT THERE. 612 00:30:47,920 --> 00:30:49,590 YEAH, THANKS FOR ALL YOUR GOOD ADVICE. 613 00:30:49,620 --> 00:30:51,090 YOU’RE THE ONE IN CUSTODY. 614 00:30:53,590 --> 00:30:54,790 ARE YOU SLIVAWICZ? 615 00:30:54,830 --> 00:30:56,130 YEAH. 616 00:30:56,160 --> 00:30:58,890 AND I JUST FOUND A WALLET OUT IN YOUR CAR 617 00:30:58,930 --> 00:31:01,230 BELONGED TO A GUY NAMED TARIK HASSAM, 618 00:31:01,270 --> 00:31:04,310 MURDERED LAST NIGHT IN TOMPKINS SQUARE PARK. 619 00:31:04,340 --> 00:31:06,710 I NEVER EVEN HEARD A NAME LIKE THAT IN MY LIFE. 620 00:31:06,740 --> 00:31:08,100 WERE YOU IN THAT PARK LAST NIGHT? 621 00:31:08,140 --> 00:31:09,270 ABSOLUTELY NOT. 622 00:31:09,310 --> 00:31:11,650 HOW ABOUT WE GOT AN EYEWITNESS SAYS YOU WERE? 623 00:31:11,680 --> 00:31:14,890 SHE AIN’T TALKIN’, SO YOU CAN FORGET ABOUT THAT. 624 00:31:14,910 --> 00:31:17,650 I AM TALKING ABOUT YOUR DAUGHTER’S GIRLFRIEND TRISH. 625 00:31:17,680 --> 00:31:19,720 HEY, YOU CAN’T SEARCH MY CAR. 626 00:31:19,750 --> 00:31:21,820 HEY, THIS IS AMERICA. RIGHT THERE, THAT’S ILLEGAL. 627 00:31:21,850 --> 00:31:23,250 YOU GOT NO WARRANT. YOU GOT NOTHIN’. 628 00:31:23,290 --> 00:31:24,430 WE GOT A WARRANT! 629 00:31:24,460 --> 00:31:26,770 WELL, M‐M‐MAYBE YOU PLANTED THAT STUFF. 630 00:31:26,790 --> 00:31:28,160 INCLUDING YOUR COAT AND HIS BLOOD ON IT? 631 00:31:28,190 --> 00:31:29,660 WHO SAYS THAT’S MY COAT? 632 00:31:29,690 --> 00:31:33,060 WE KNOW IT’S YOUR COAT BECAUSE IT’S GONNA HAVE YOUR DNA 633 00:31:33,100 --> 00:31:35,610 FROM YOUR DANDRUFF AND YOUR SWEAT AND SO FORTH. 634 00:31:37,470 --> 00:31:39,400 I WANT A LAWYER. 635 00:31:39,440 --> 00:31:42,110 THAT’S GONNA BE THE NEXT‐BIGGEST MISTAKE THAT YOU MADE 636 00:31:42,140 --> 00:31:44,440 IN THE LAST 24 HOURS AFTER WHAT YOU DID IN THE PARK. 637 00:31:44,480 --> 00:31:47,590 HEY, I AIN’T TALKIN’, AND NEITHER’S MY DAUGHTER. 638 00:31:47,610 --> 00:31:49,480 AND YOU? YOU GO SCREW. 639 00:32:08,730 --> 00:32:09,870 LOOK... 640 00:32:09,900 --> 00:32:11,800 HERE’S THE YOGURT JILL BROUGHT ME. 641 00:32:11,840 --> 00:32:13,140 SHE WAS SO SWEET. 642 00:32:13,170 --> 00:32:15,070 SHE WAS HERE ALL DAY. 643 00:32:16,240 --> 00:32:17,870 YOU WANNA TRY SOME JELL‐O? 644 00:32:17,910 --> 00:32:20,780 I MEAN, WHEN DID THE DOCTOR SAY HE WAS COMING BACK UP HERE, DIANE? 645 00:32:20,810 --> 00:32:23,950 THE NURSE SAID HE HAD AN EMERGENCY PROCEDURE. 646 00:32:23,980 --> 00:32:26,720 I THINK IT’S THE MAN IN ROOM 3. 647 00:32:26,750 --> 00:32:29,220 YEAH, WELL, THE MAN IN ROOM 3 BETTER BE CAREFUL 648 00:32:29,250 --> 00:32:31,450 HE DON’T COME BACK UPSTAIRS ATTACHED TO NO PUMP, 649 00:32:31,490 --> 00:32:33,220 CAN’T GET UP TO GO TO NO JOHN, 650 00:32:33,260 --> 00:32:34,970 AND NO ONE TELLS HIM WHAT’S GOIN’ ON. 651 00:32:34,990 --> 00:32:36,890 PUMP’S TO HELP YOU BREATHE. 652 00:32:36,930 --> 00:32:38,960 AS FAR AS WHAT ELSE THEY’RE THINKING, 653 00:32:39,000 --> 00:32:41,210 DOCTOR CARRERA SAID HE WANTED TO EXPLAIN IT TO YOU. 654 00:32:41,230 --> 00:32:44,630 WELL, HE COULD START WITH EXPLAINING THIS TUBE COMING OUT OF MY JOINT. 655 00:32:44,670 --> 00:32:46,200 NO ONE’S SAID NOTHIN’ ABOUT THAT. 656 00:32:46,240 --> 00:32:48,450 IT’S JUST TO HELP YOU URINATE. 657 00:32:49,770 --> 00:32:50,840 IS IT UNCOMFORTABLE? 658 00:32:55,350 --> 00:32:57,320 DON’T EVEN GIVE ME NO HIGHLIGHTS, HUH? 659 00:32:57,350 --> 00:32:58,580 THOSE WERE HIS INSTRUCTIONS? 660 00:33:06,690 --> 00:33:09,320 HE SAID YOUR HEART’S DAMAGED. 661 00:33:09,360 --> 00:33:11,660 AND, IF YOU GET STABILIZED, 662 00:33:11,700 --> 00:33:15,840 THEY’LL PUT IN SOME OTHER KIND OF MECHANICAL PUMP. 663 00:33:15,870 --> 00:33:18,780 AND THEN HE THINKS YOU’LL NEED A TRANSPLANT. 664 00:33:24,410 --> 00:33:26,040 OK. 665 00:33:26,080 --> 00:33:28,390 BUT HE SAID THE OPERATION HAS A HIGH SUCCESS RATE. 666 00:33:28,410 --> 00:33:29,380 YEAH, HUH? 667 00:33:29,410 --> 00:33:32,450 90% GO BACK TO NORMAL LIVES. 668 00:33:48,600 --> 00:33:50,070 HEY. 669 00:33:50,100 --> 00:33:52,070 I WISH YOU WOULD’VE LET HIM TELL YOU, BOBBY, 670 00:33:52,100 --> 00:33:54,070 ’CAUSE HE HAD ALL THESE POSITIVE STATISTICS. 671 00:33:54,110 --> 00:33:55,080 IT’S OK. 672 00:33:57,910 --> 00:33:59,310 IT’S OK. 673 00:34:14,130 --> 00:34:16,300 YEAH, OK. 674 00:34:16,330 --> 00:34:17,600 OK, JILL. 675 00:34:21,700 --> 00:34:25,470 I MEAN, IF I NAME THE ACTUAL PERPETRATOR... 676 00:34:25,500 --> 00:34:27,170 I HOPE HE WOULDN’T GET IN TROUBLE. 677 00:34:27,210 --> 00:34:30,820 I HOPE SO, TOO, BUT I THINK YOU GOTTA LOOK OUT FOR YOURSELF. 678 00:34:30,840 --> 00:34:33,140 THE SAME AS HOW I WAS THERE BY ACCIDENT, 679 00:34:33,180 --> 00:34:37,020 MAYBE HE HAD JUSTIFIABLE CIRCUMSTANCES, TOO. 680 00:34:37,050 --> 00:34:38,980 I THINK FOR YOUR OWN SELF‐PRESERVATION, 681 00:34:39,020 --> 00:34:43,130 IT’S TIME TO PUT A NAME TO THE PERSON YOU’RE TALKING ABOUT. 682 00:34:49,190 --> 00:34:51,830 YOU WANT ME TO TAKE THIS IN ON MY OWN? 683 00:34:51,860 --> 00:34:55,030 YEAH, STALL HIM TILL WE SEE HOW MARTINEZ DOES. 684 00:34:55,070 --> 00:34:58,710 WHAT IF HE ASKS FOR A LAWYER AGAIN, THIS, UH, MR. LATONA? 685 00:34:58,740 --> 00:35:00,280 THAT WAS A PASSING THING, THE ONE REQUEST. 686 00:35:00,300 --> 00:35:01,800 HE DON’T REPEAT IT ’CAUSE HE’S MORE CONCERNED 687 00:35:01,840 --> 00:35:03,810 LOOKING OUT FOR HIS DAUGHTER, 688 00:35:03,840 --> 00:35:06,340 MAKE SURE SHE DON’T JACK HERSELF UP. 689 00:35:06,380 --> 00:35:09,790 ANYWAYS, I’LL TAKE HIM HIS FRESCA. 690 00:35:09,810 --> 00:35:11,180 WHO WERE YOU ON THE PHONE WITH? 691 00:35:11,220 --> 00:35:12,860 JILL. SHE’S GOIN’ HOME. 692 00:35:12,880 --> 00:35:15,450 AS FAR AS BOBBY, HE’S RESTING COMFORTABLY. 693 00:35:15,490 --> 00:35:17,000 THEY PUT SOME KIND OF PUMP INSIDE. 694 00:35:17,020 --> 00:35:18,090 OH, BOY. 695 00:35:19,560 --> 00:35:22,820 SHE GAVE HER FATHER UP, THIS VICKIE. 696 00:35:24,700 --> 00:35:26,140 GO AT THE FATHER. 697 00:35:26,160 --> 00:35:29,130 WRITES A STATEMENT, SAVES HIS DAUGHTER. 698 00:35:29,170 --> 00:35:30,910 YOU WANT THE FRESCA? 699 00:35:47,250 --> 00:35:48,480 DID SHE TALK TO YOU? 700 00:35:48,520 --> 00:35:50,890 YEAH, SHE TALKED. 701 00:35:50,920 --> 00:35:52,550 AND HER GIRLFRIEND TRISH. 702 00:35:52,590 --> 00:35:54,790 AND WE GOT THIS PHYSICAL EVIDENCE. 703 00:35:58,700 --> 00:36:01,870 I BEEN WORRIED ABOUT HER. 704 00:36:01,900 --> 00:36:04,700 SHE GOT THAT BUST, AND I BEEN AFRAID SHE’S MIXED UP IN DRUGS. 705 00:36:04,740 --> 00:36:09,550 I HAD HER MOVE BACK IN, BUT HER MOTHER’S THE ONLY THING SHE PAID ATTENTION TO. 706 00:36:09,570 --> 00:36:13,040 LAST NIGHT, I DROVE BY THIS BAR SHE LIKES, 707 00:36:13,080 --> 00:36:14,550 AND I HAPPENED TO SEE HER. 708 00:36:14,580 --> 00:36:16,410 SHE WAS GOIN’ IN THE PARK 709 00:36:16,450 --> 00:36:19,730 WITH SOME KIND OF DARK‐COLORED GUY AND... 710 00:36:19,750 --> 00:36:21,850 HER BAD‐INFLUENCE GIRLFRIEND TRISH 711 00:36:21,890 --> 00:36:25,400 THAT’S NO MORE THAN SOME BEATNIK DRUG‐ADDICT PROSTITUTE. 712 00:36:25,420 --> 00:36:28,420 BY THE TIME I FOUND A PARKING PLACE AND FOLLOWED ’EM IN, 713 00:36:28,460 --> 00:36:30,730 THEY WERE IN THE BUSHES WITH HIM. 714 00:36:30,760 --> 00:36:35,130 WHAT FATHER’S GONNA SEE THAT AND NOT DO SOMETHIN’? 715 00:36:35,170 --> 00:36:37,540 I WENT IN...TO STOP IT. 716 00:36:37,570 --> 00:36:39,940 WITH A KNIFE. 717 00:36:39,970 --> 00:36:42,700 YOU THINK I’M NOT SICK ABOUT THIS? 718 00:36:42,740 --> 00:36:46,010 27 YEARS SINCE I’M INVOLVED WITH SOMETHIN’ BAD! 719 00:36:48,110 --> 00:36:51,250 I DON’T KNOW WHAT KIND OF LIFE SHE’S GONNA HAVE FOR HERSELF, ANYHOW. 720 00:36:53,820 --> 00:36:56,320 BUT YOU PUT THIS ALL ON ME. 721 00:37:00,260 --> 00:37:03,990 I’M NOTHING SINCE MY WIFE PASSED, ANYWAY. 722 00:37:20,280 --> 00:37:21,980 HI. 723 00:37:22,010 --> 00:37:25,080 THEO WENT TO SLEEP? 724 00:37:25,120 --> 00:37:26,490 WHERE WERE YOU? 725 00:37:28,890 --> 00:37:31,960 I’M WALKIN’ AROUND THE OUTSIDE OF THAT HOSPITAL LIKE A BABY. 726 00:37:31,990 --> 00:37:33,620 NO NERVE TO GO IN. 727 00:37:51,040 --> 00:37:54,180 WELL, MAYBE DIANE AND BOBBY NEED TO BE BY THEMSELVES‐‐ 728 00:37:54,210 --> 00:37:55,310 FOR NOW, ANYWAY. 729 00:37:56,920 --> 00:38:00,490 I GET CURED FROM MY PROSTRATE, HIS HEART GIVES OUT. 730 00:38:00,520 --> 00:38:02,980 A GUY IN GOOD SHAPE, TOOK GOOD CARE OF HIMSELF. 731 00:38:03,020 --> 00:38:05,150 THAT COULD ALL WORK TO BOBBY’S ADVANTAGE. 732 00:38:05,190 --> 00:38:07,190 YEAH? STARTIN’ WHEN? 733 00:38:09,760 --> 00:38:12,460 I MEANT THAT BEING HEALTHY OVERALL 734 00:38:12,500 --> 00:38:14,710 PROBABLY IMPROVES BOBBY’S CHANCES 735 00:38:14,730 --> 00:38:16,530 OF COMING THROUGH AN OPERATION SUCCESSFULLY. 736 00:38:16,570 --> 00:38:18,500 WHO’S GOT BETTER CHANCES 6 MONTHS FROM NOW 737 00:38:18,540 --> 00:38:20,550 STANDIN’ HERE TALKIN’ TO YOU, SYLVIA, HUH, 738 00:38:20,570 --> 00:38:23,070 ME‐‐WHO NEVER TOOK CARE OF HIMSELF‐‐OR HIM THAT DID? 739 00:38:23,110 --> 00:38:25,080 YOU HAVE NOTHING TO DO WITH THIS, ANDY, 740 00:38:25,110 --> 00:38:26,880 AND FEELING GUILTY... 741 00:38:26,910 --> 00:38:27,840 OR ANGRY... 742 00:38:27,880 --> 00:38:29,410 OR AFRAID 743 00:38:29,450 --> 00:38:31,390 IS NOT GOING TO CHANGE THAT. 744 00:38:37,890 --> 00:38:41,560 THE TIME COMES WHEN WE CAN’T HELP THE PEOPLE THAT WE LOVE. 745 00:38:41,590 --> 00:38:43,560 IF WE CAN’T ACCEPT THAT, 746 00:38:43,600 --> 00:38:47,210 THEN SOMETIMES WE CAN’T SHOW THEM WE LOVE THEM AT ALL. 747 00:38:49,730 --> 00:38:53,100 OHH, ANDY. 748 00:38:58,910 --> 00:39:03,680 WH‐WHEN MY PAPA GOT SICK‐‐ MY DAD’S FATHER‐‐ 749 00:39:03,720 --> 00:39:07,360 HALF THE TIME MY DAD SPENT SHOUTING AT PAPA, 750 00:39:07,390 --> 00:39:11,660 AND THE OTHER HALF SITTING CRYING IN THE GRAPE ARBOR OUTSIDE PAPA’S HOUSE. 751 00:39:13,060 --> 00:39:16,170 HE ONLY SPENT THE LAST DAY HOLDING HIS HAND. 752 00:39:17,930 --> 00:39:19,360 AND... 753 00:39:19,400 --> 00:39:23,040 THIS‐‐THIS MAY NOT BE HOPELESS, 754 00:39:23,070 --> 00:39:24,710 THIS WITH BOBBY. 755 00:39:24,740 --> 00:39:26,880 AND THIS MAY NOT BE HOPELESS. 756 00:39:26,910 --> 00:39:30,580 THIS COULD BE SUCCESSFUL, THIS WHOLE TRANSPLANT PROCEDURE. 757 00:39:32,780 --> 00:39:34,590 ASSUMING THEY CAN FIND A HEART. 758 00:39:34,610 --> 00:39:37,010 DO YOU WANT TO PRAY, ANDY? 759 00:39:43,090 --> 00:39:44,630 GO AHEAD. 760 00:39:45,860 --> 00:39:49,130 PROBABLY YOU GOT A BETTER CHANCE. 761 00:40:04,940 --> 00:40:05,840 HEY. 762 00:40:07,850 --> 00:40:08,990 LOOK WHO’S THERE. 763 00:40:11,520 --> 00:40:13,160 HOW’S IT GOIN’? 764 00:40:13,180 --> 00:40:16,820 I’M WORKIN’ WITH MOPES AND HALF‐BRAINS. HOW DO YOU EXPECT? 765 00:40:16,860 --> 00:40:20,000 HOW LONG YOU GONNA BE ON NIGHTS? 766 00:40:20,020 --> 00:40:22,620 HUH. YOU TELL ME. 767 00:40:24,560 --> 00:40:28,700 ’CAUSE, YOU KNOW, MEDAVOY AND MARTINEZ, THAT’S NOT MY CUP OF TEA. 768 00:40:28,730 --> 00:40:30,670 JILL WAS WITH DIANE. 769 00:40:30,700 --> 00:40:32,700 YEAH, SHE WASN’T IN. 770 00:40:32,740 --> 00:40:35,010 HOW YOU FEEL? 771 00:40:35,040 --> 00:40:37,540 I NEVER GOT OVER THIS CHEST BUG. 772 00:40:37,580 --> 00:40:38,650 SO FAR. 773 00:40:40,580 --> 00:40:41,940 NO, RIGHT. 774 00:40:41,980 --> 00:40:43,710 TO THIS POINT, YOU MEAN. 775 00:40:43,750 --> 00:40:46,880 OH, HEY, I’M NOT THROWIN’ ANY TOWELS IN. 776 00:40:46,920 --> 00:40:49,850 WHAT IS IT? THE 90%, SO FORTH... 777 00:40:49,890 --> 00:40:51,020 90% ARE UP AND AROUND? 778 00:40:51,060 --> 00:40:53,530 YEAH, POSITIVE STATISTICS FOR THE MORNING. 779 00:40:53,560 --> 00:40:55,020 I’LL TELL YOU THIS, 780 00:40:55,060 --> 00:40:57,730 WHEN YOU’RE READY TO COME BACK, I’M READY TO WORK WITH YOU. 781 00:40:57,760 --> 00:41:01,060 I’M DEALIN’ WITH MOPES AND HALF‐BRAINS MY ENTIRE WORK ENVIRONMENT. 782 00:41:02,200 --> 00:41:03,730 OK, ANDY. 783 00:41:05,870 --> 00:41:07,870 OK. 784 00:41:07,910 --> 00:41:10,850 YOU GOT A LOT OF POSITIVE STATISTICS, 785 00:41:10,880 --> 00:41:12,920 AND AS MUCH AS SHE LOVES YOU... 786 00:41:16,210 --> 00:41:17,650 OK, PARTNER. 787 00:41:17,680 --> 00:41:19,580 OK.